Partial view of installation at Fremantle Arts Centre featuring works by (l to r): David Charles Collins, Tanija and Graham Carr, Andrew Nicholls, Nathan Beard, Theo Costantino, Susan Flavell, Marek Szyler and Andrew Nicholls featuring HIP Company with Teresa Tan. Not shown are works by contributing artists Abdul Abdullah, Sandra Black, Tarryn Gill, Pilar Mata Dupont and Cherish Marrington. Photograph by Dan McCabe, c/o Fremantle Arts Centre.
Hymn #1-#4 (collaboration with Sion Prior), giclee print on gallery window, each approximately 82 x 83 cm, 2019
Eulogy (collaboration with Sion Prior; text by Sion Prior), table, overhead projector and printed acetate, dimensions variable, 2019
Lake of Fire, (collaboration with Sion Prior), looped video, screen, Edwardian kneeler, dimensions variable, 2019
How Great Though Art (portrait of George Dellinger), archival ink pens on watercolour paper, 250 x 140 cm, 2019
How Great Though Art (portrait of George Dellinger) (detail), archival ink pens on watercolour paper, 250 x 140 cm, 2019
The Attitudes, 5 photographic prints (digital and Large Format), polished super white porcelain, approximately 300 x 700 x 30 cm, 2018. Photograph by Bo Wong, c/o the Art Gallery of Western Australia.
Via Appia Antica (after Piranesi), archival ink pen on watercolour paper; polished coloured and uncoloured superwhite porcelain, approximately 80 x 420 x 30 cm, 2016-2018. Photograph by Bo Wong, c/o Art Gallery of Western Australia.
Attitudes #10, Parco degli Acquedotti (Hypnos), medium format photographic print, and decal transfer on porcelain, photograph 100 x 100 cm; ceramics dimensions variable, 2017-2018. Photograph by Bo Wong, c/o the Art Gallery of Western Australia.
Lose My Breath, archival ink pen on paper and 'music shell' playing Destiny's Child's 'Lose My Breath', approximately 100 x 80 x 15 cm, 2013, photograph by Carolyn Karnovsky
Lose My Breath, archival ink pen on paper and 'music shell' playing Destiny's Child's 'Lose My Breath', approximately 100 x 80 x 15 cm, 2013, photograph by Carolyn Karnovsky
Remember (Walking in the Sand) (detail), archival ink pen on paper and 'music shell' playing the Shangri-La's Remember (Walking in the Sand), approximately 100 x 80 x 15 cm, 2013, (also visible, Another Kind of Merman, 2013). Photograph by Carolyn Karnovsky
The Water Works (partial view of installation at Turner Galleries), various works on paper and 'music shells', 2013, photograph by Carolyn Karnovsky
Society of the Spectacle (with Kate Koivisto Wheeler, Kate Leslie and Gotham Studios), performance in Peeka-Boo gallery at Gotham Studios, featuring Korum Ellis, for Fringe World, 2014
Society of the Spectacle (with Kate Koivisto Wheeler, Kate Leslie and Gotham Studios), performance in Peeka-Boo gallery at Gotham Studios, featuring Korum Ellis, for Fringe World, 2014
Society of the Spectacle (with Kate Koivisto Wheeler, Kate Leslie and Gotham Studios), performance in Peeka-Boo gallery at Gotham Studios, featuring Korum Ellis, for Fringe World, 2014
Society of the Spectacle (with Kate Koivisto Wheeler, Kate Leslie and Gotham Studios), performance in Peeka-Boo gallery at Gotham Studios, featuring Korum Ellis, for Fringe World, 2013
Society of the Spectacle (with Kate Koivisto Wheeler, Kate Leslie and Gotham Studios), performance in Peeka-Boo gallery at Gotham Studios, featuring Korum Ellis, for Fringe World, 2014
Florid, ink pen on paper and ceramics, various dimensions, 2014, photograph by Eva Fernandez
Charybdis, partial view of installation at Turner Galleries, ceramics and wooden stands, various dimensions, 2011, photograph by Eva Fernandez
The Water Works, partial view of installation at Turner Galleries, framed drawing and ceramics, various dimensions, 2013, photograph by Carolyn Karnovsky
The Water Works, partial view of installation at Turner Galleries, framed drawing and ceramics, various dimensions, 2013, photograph by Carolyn Karnovsky
Charybdis, partial view of installation at Turner Galleries, framed drawing and ceramics, various dimensions, 2011, photograph by Eva Fernandez
Charybdis, partial view of installation at Turner Galleries, ceramics and wooden stands, various dimensions, 2011, photograph by Eva Fernandez
Go to Hell, partial view of installation at Turner Galleries: ink drawings on wall and Heaven video projection on ceiling, 2010, Heaven produced in collaboration with Travis Kelleher
Go to Hell, partial view of installation at Turner Galleries: ink drawings on wall and Heaven video projection on ceiling, 2010, Heaven produced in collaboration with Travis Kelleher
Go to Hell, partial view of installation at Turner Galleries: Swarm, ink drawings on wall, various dimensions, 2010
Go to Hell, partial view of installation at Turner Galleries: Swarm, ink drawings on wall, various dimensions, 2010
Go to Hell, partial view of installation at Turner Galleries: It's Rainin' Men, ink drawings on paper and wall, approximately 3 x 9 meters, 2010
Untitled (Time After Time), after a detail of Max Ernst's 'Une Semaine de Bonte', ink pen on watercolour paper, 58 x 84 cm, 2004
Untitled (Time After Time), aureol beamshaper and glass gobo, re-exhibited as part of Inflections by Dr. Suzie Attiwill, at West Space, Melbourne, photograph by Suzie Attiwill, 2010
Untitled (Time After Time), aureol beamshaper and glass gobo, at Object Gallery (with works by Sue Pedley, Sue Saxon and Anna Zahalka), photograph by Suzie Attiwill, 2006
Untitled (Time After Time), aureol beamshaper and glass gobo, at Gosford Regional Gallery (with works by Monique van Nieuwland and Sue Pedley), photograph by Suzie Attiwill, 2006
Untitled (Time After Time), aureol beamshaper and glass gobo, at RMIT Gallery (with works by Bula'bula Arts Aboriginal Corporation, Sue Blanchfield, Monique van Nieuwland and Holly Story), photograph by Suzie Attiwill, 2005
Falling Limbs Series (detail), with Pearl Rasmussen, digital prints, polaroid photography, mixed media sculpture and found wood, dimensions variable, 2002
Falling Limbs Series (detail), with Pearl Rasmussen, digital prints, polaroid photography, mixed media sculpture and found wood, dimensions variable, 2002
Spook (Vince #2), chicken wire, packing tape and electrical components, approximately 1.8 x 1 x 1 meter, photograph by Phil Gamblen, 2002