Andrew Nicholls

  • Biography
  • Artwork
    • PORTENT
    • Hyperkulturemia
    • Paper
    • Ceramic
    • Photograph/Film
    • Walls and ceilings
    • Installation/Performance
  • Writing
    • About Andrew Nicholls
    • By Andrew Nicholls
  • Curatorial
    • A Gentle Misinterpretation: Australian Artists and Chinoiserie, 2022
    • Visitants - close encounters with remote Western Australia, 2017
    • BUILDED REMNANTS: Berndnaut Smilde, 2017
    • What's your name. It's a symbol. Don't talk., 2017
    • Wild Silence, 2017
    • Bedazzle - Photographing Western Australia's Gold Towns, 2016
    • Fair is Foul and Foul is Fair, 2015
    • An Internal Difficulty - Australian Artists at the Freud Museum London, 2015
    • Dear William, 2014
    • Paper, Cotton, Leather, Flowers, Wood, 2013
    • Nalda Searles, drifting in my own land, 2009-2013
    • Wembley Ware - Excitingly Different!, 2005
    • Spooked 2 - the sequel, 2004
    • Spooked, 2002
    • Collectors' Items, 2001
  • Shop
  • Contact
  • Biography
    • PORTENT
    • Hyperkulturemia
    • Paper
    • Ceramic
    • Photograph/Film
    • Walls and ceilings
    • Installation/Performance
    • About Andrew Nicholls
    • By Andrew Nicholls
    • A Gentle Misinterpretation: Australian Artists and Chinoiserie, 2022
    • Visitants - close encounters with remote Western Australia, 2017
    • BUILDED REMNANTS: Berndnaut Smilde, 2017
    • What's your name. It's a symbol. Don't talk., 2017
    • Wild Silence, 2017
    • Bedazzle - Photographing Western Australia's Gold Towns, 2016
    • Fair is Foul and Foul is Fair, 2015
    • An Internal Difficulty - Australian Artists at the Freud Museum London, 2015
    • Dear William, 2014
    • Paper, Cotton, Leather, Flowers, Wood, 2013
    • Nalda Searles, drifting in my own land, 2009-2013
    • Wembley Ware - Excitingly Different!, 2005
    • Spooked 2 - the sequel, 2004
    • Spooked, 2002
    • Collectors' Items, 2001
  • Shop
  • Contact
+61430180123