Delight and Hurt Not, ceiling mural for the new City of Perth Library, approximately 11 x 14.3 meters, 2016. Commissioned by the City of Perth. Photograph by Bewley Shaylor, 2016.
Manifestation of the Demon Prince Stolas in the Form of a Boobook Owl (after Louis de Breton), black and gold ink on wall at Holmes à Court @ No 10 Gallery, 175 x 90 cm, 2024
Edge of the World, wall installation for the Kuckucksei space at Museum Gegenstandsfreier, Otterndorf, Germany, in conjunction with Traumbild Senden (solo exhibition by Berndnaut Smilde), 4 July-26 September, 2021. Digital print on wall.
Daphne (portrait of David Charles Collins) (detail), wall drawing as part of Sensual Nature at Fremantle Arts Centre, approx. 2.5 x 2.5 mtr, March, 2018
Daphne (portrait of David Charles Collins) (detail), wall drawing as part of Sensual Nature at Fremantle Arts Centre, approx. 2.5 x 2.5 mtr, March, 2018
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012.
Photograph by Bewley Shaylor.
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012. Photograph by Bewley Shaylor.
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012, photograph by Bewley Shaylor
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012, photograph by Bewley Shaylor
Wall Mural for Zekka Designs for Men (detail), ink pen on wall, approximately 3.5 x 20 meters, 2009-2012, photograph by Renee Doropoulos
It's Rainin' Men, wall installation at Turner Galleries as part of Go To Hell exhibition, ink pen on paper and wall, approximately 3 x 9 meters, 2010
It's Rainin' Men (detail), wall installation at Turner Galleries as part of Go To Hell exhibition, ink pen on paper and wall, approximately 3 x 9 meters, 2010
Untitled, metalic paint pen on wall, part of Blood and Thunder collaborative installation with Travis Kelleher at Fremantle Arts Centre, for Revelations, curated by Dr. Thea Costantino, approximately 1.5 x 2.5 meters, 2009
Blue Australian, partial view of installation at CraftACT, 2009, photograph c/o CraftACT
Kill Your Children, ink pen, acrylic and metallic paint on wall at Canberra Contemporary Art Space, approximately 2.5 x 1.5 meters, 2009
Portent, ink pen on wall at Moores Building Contemporary Art Gallery, approximately 30 meters in length, 2009
Portent (detail), ink pen on wall at Moores Building Contemporary Art Gallery, approximately 30 meters in length, 2009
Portent, ink pen on wall at National Design Centre Melbourne, approximately 10 meters in length, 2009
Protect Me, Satan! ink pen on wall at the Perth Institute of Contemporary Arts, approximately 2 x 2.2 meters, 2005, photograph by Tony Nathan
Follies, partial view of wall drawing at Plymouth Arts Centre, ink pen on wall, approximately 20 meters in length, 2004
Follies, partial view of wall drawing at Plymouth Arts Centre, ink pen on wall, approximately 20 meters in length, 2004
Follies, detail of wall drawing at Plymouth Arts Centre, ink pen on wall, approximately 20 meters in length, 2004
Australian Sporting (Koala), ink pen on wall as part of Austr-aliens at the Perth Institute of Contemporary Arts (PICA), curated by Eva Fernandez, approximately 1.5 x 2.5 meters, 2003, photograph by Eva Fernandez, c/o PICA
Australian Sporting (Swan) (detail), ink pen on wall as part of Austr-aliens at the Perth Institute of Contemporary Arts (PICA), curated by Eva Fernandez, approximately 1.5 x 3.5 meters, 2003, photograph by Eva Fernandez, c/o PICA
Australian Sporting, ink pen on wall as part of Austr-aliens at the Perth Institute of Contemporary Arts (PICA), curated by Eva Fernandez, approximately 2 x 2.5 meters, 2003, photograph by Eva Fernandez, c/o PICA
Australian Sporting (Kangaroo Paw), ink pen on wall as part of Austr-aliens at the Perth Institute of Contemporary Arts (PICA), curated by Eva Fernandez, approximately 1.5 x 0.5 meters, 2003, photograph by Eva Fernandez, c/o PICA
Australian Sporting (Kookaburra), ink pen on wall as part of Austr-aliens at the Perth Institute of Contemporary Arts (PICA), curated by Eva Fernandez, approximately 2 x 1.2 meters, 2003, photograph by Eva Fernandez, c/o PICA
Love Andrew Nicholls, partial view of installation at the Verge gallery, acrylic paint and Spode bone china doorknob on wall with looped sound recording, approximately 3.5 x 4 meters, 2001